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Topthema: STUDIOART S100 – WEIHNACHTSAKTION
STUDIOART S100 zum Aktionspreis €/CHF 755,- ( anstatt €/CHF 1.595,-)
Als ideales Geschenk für die Familie, liebe Freunde oder sich selbst – entscheiden Sie sich jetzt für die Revox S100 Audiobar.
>> jetzt bis 31.01.2025>> Alle anzeigen
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Topthema: Ingenieurskunst in Perfektion
Revelation RX2 PRO – High-End Zweikanalendstufe von Brax
Mit der RX2 PRO kündigt Brax nicht weniger als die Endstufe der Superlative an, vollgepackt mit Innovation und das erste Class-D Design der Marke.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: Manley ELOP+
Ausstattung & technische Daten
| Features | |
| STEREO LIMITER COMPRESSOR | |
| 10:1 Limiter and 3:1 Compressor ratios | |
| All-tube audio path uses 5751 and 6922 dual triodes | |
| Balanced Manley IRON® transformer-coupled XLR Inputs | |
| XLR impedance-balanced outputs | |
| BYPASS switches and AUTOMUTE with warm-up delay | |
| Large illuminated VU meters read Gain Reduction or Output levels | |
| STEREO LINK | |
| Side-Chain High-Pass Filter | |
| Universal internal power supply operates worldwide 90-250V~AC 50/60Hz | |
| Standby Power Consumption: 0.5 Watts | |
| ALL-TUBE audio path using a 5751 for gain, 6922 White Follower output tube (one each per channel) | |
| Silent Conductive Plastic GAIN control. | |
| Balanced MANLEY IRON Transformer coupled XLR input. | |
| Hi-current White Follower Impedance Balanced XLR output. | |
| Attack times are faster with higher input levels and heavier gain reduction. Typically for complete release, release times increases up to a couple of seconds, depending upon the amount of previous reduction. | |
| Specification | |
| Input impedance | 14 kOhms |
| Maximum input level | +18dBu or 4.8V RMS @ 0.01% THD |
| Output impedance | 150 Ohms |
| Maximum Output with 100 kOhm load | +30dBu @.009%THD+N, BW 22Hz-22Khz, 1Khz sine |
| Maximum Output with 600 Ohm load | +20dBu @.015%THD+N, BW 22Hz-22Khz, 1Khz sine |
| Output Headroom (Referenced to +4dBu) | 26dB |
| Frequency Response | -0.15dB @ 10Hz, -0.1dB @ 20KHz |
| Total Harmonic Distortion (1kHz sine @ +4dBu, BW 22Hz-22kHz) | 0.004 % THD+N |
| Noise Floor Limiter Bypass | -90dBu (BW 22Hz-22kHz) |
| Noise Floor Limiter Engaged | 88dBu (BW 22Hz-22kHz) Input set to Unity gain |
| Dynamic Range | 118dB |
| Signal to Noise Ratio | 92dB (Referenced to +4dBu) Bypass mode = Signal goes thru ALL-TUBE audio path (Bypa |
| Unity Gain | Set Input Attenuator @ 1:00 o clock |
| Maximum Gain | 13 dB |
| Common-Mode Rejection Ratio (CMRR) | 77dB (BW 22Hz-22Khz, +4dBu, 1Khz sine) |
| Limiter Ratio | 10:1 |
| Compressor Ratio | 3:1 |
| Limiter: Attack | 15ms |
| Limiter Release | 200ms |
| Compressor: Attack | 75ms Release= 200ms |
| Attack/Release times measured under following conditions | 4dB of Gain Reduction, 1kHz sine, +4dbu Input level, to 63% of total. |
| Maximum Limiting (with +4dBu 1Khz sine) | 12dB |
| Maximum Compression (with +4dBu 1Khz sine) | 6dB |
| Side-Chain High Pass Filter | 80Hz (Internal user adjust jumper to 150Hz) |
| Automute warmup delay | 30 seconds |
| Operating mains voltage | 90 to 254 VAC (internal universal power supply) |
| Mains voltage Frequency | 50-60 Hz |
| Power consumption | 26 Watts |
| Dimensions= (w,d,h) | 19" x 7 x 3 1⁄2" (occupies 2u) |
| Unit weight | 9.5 Ib |
