489_23584_2
Topthema: Träume werden wahr
Standlautsprecher · ESS AMT-1 D Revival
Für die Älteren unter uns gehören diese Lautsprecher zu den ersten jugendlichen Audiowunschträumen, wie zum Beispiel das Klipschorn oder die Electro Voice Sentry III. Für alle anderen könnte dieser besondere Lautsprecher eine echte Überraschung werden.
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488_23522_2
Topthema: Ingenieurskunst in Perfektion
Revelation RX2 PRO – High-End Zweikanalendstufe von Brax
Mit der RX2 PRO kündigt Brax nicht weniger als die Endstufe der Superlative an, vollgepackt mit Innovation und das erste Class-D Design der Marke.
>> Mehr erfahren>> Alle anzeigenKategorie: Streaming Client
Ausstattungsliste: Cary Audio DMS-600
Ausstattung & technische Daten
| Specification | |
| Master Clock Jitter | Below measurable levels |
| Digital Sampling Rates (Fs) | 44.1 kHz to 768 kHz |
| Digital Filter | 32-Bit 8x Oversampling Digital Filter |
| Digital/Analog Converters | 2 – 2 channel AK4493EQ for working on true balanced output |
| Bluetooth | CSR Bluetooth v 4.0 with aptX® HD for 24 Bit / 48 kHz high definition audio decoder |
| Analog Filter | 3rd Order Bessel |
| Analog Outputs | Balanced XLR, Single – Ended RCA |
| Digital Outputs | Coaxial, Toslink operating at Sample Frequency (Fs) from 44.1 kHz to 192 kHz, 16 bit to 24 bit |
| Digital Inputs | USB x 3, SD Card x 1 BLUETOOTH x1 AES/EBU x1, Coaxial x2, Toslink x1 |
| Digital Input Sample Rate | USB operating at Sample Frequency (Fs) from 44.1 kHz to 384 kHz, 16 bit to 32 bit, DSD 64, 128, 256 and 512. |
| BLUETOOTH Sample Frequency (Fs) 48kHz, 24bit. AES/EBU, Coaxial, Toslink operating at Sample Frequency (Fs) from 44.1 kHz to 192 kHz, 16bit to 24 bit | |
| Control | Trigger input 12VDC x1 IR control x1 |
| Communication | Ethernet RJ45 full remote configuration interface Wi-Fi 802.11 b/g/n/ac support MU-MIMO |
| Power Input | Configured at factory for either 110-120 or 220-240 VAC, 50-60 Hz |
| AC Power Requirements | 45 Watts |
| Finish | Black powder coated matte chassis with silver or black aluminum faceplate |
| Weight | 23.5 lbs |
| Dimensions | 3.75″ H x 17.25″ W x 16.25″ D |
| AUDIO (LPCM) | |
| Frequency Range | 2 Hz – 22 kHz (44.1 kHz) |
| Amplitude Linearity | 0.1 dB (20 Hz – 20 kHz) |
| Phase Linearity | 3 degrees (20 Hz – 20 kHz) |
| Dynamic Range | 130 dB (1 kHz) |
| Signal-to-Noise Ratio | 115 dB (1 kHz) |
| Channel Separation | 107 dB (1 kHz) |
| Total Harmonic Distortion | 0.0004% (1 kHz) |
| Audio Output Level | 2.0V RMS (220 Ω output impedance) for Volume at 0.0dB |
| 3.0V RMS (220 Ω output impedance) for Volume at +8.0dB | |
| Balanced XLR Output | +/- 2.0V RMS (440 Ω output impedance) for Volume at 0.0dB |
| +/- 3.0V RMS (440 Ω output impedance) for Volume at +8.0dB | |
| NETWORK, USB, SD CARD PLAYBACK | |
| Playback Format Supply | .dsf, .dff (DSD64, 128, 256, 512), .aif, .aiff, .alac, .flac, .m4a, .mp4, .wav, .ape, .mp3, .aac, .wma, .ogg, .asf |
| Frequency Range | 2 Hz – 125 kHz |
| Signal System | 16, 20, 24, & 32 bit PCM and 1 bit DSD |
| Sampling Frequency | 44.1 kHz to 384 kHz PCM and 2.822MHz – 22.5792 MHz DSD |
| Dynamic Range | 130 dB |
| DSD System Clock | Frequency 22.5792 MHz |
| Signal-to-Noise Ratio | 115 dB |
| Audio Output Level | 2.0V RMS (220 Ω output impedance) for Volume at 0.0dB |
| 3.0V RMS (220 Ω output impedance) for Volume at +8.0dB | |
| Balanced XLR Output | +/- 2.0V RMS (440 Ω output impedance) for Volume at 0.0dB |
| +/- 3.0V RMS (440 Ω output impedance) for Volume at +8.0dB | |
| SPDIF PLAYBACK; COAXIAL, TOSLINK, AES/EBU (lPCM) | |
| Frequency Range | 2 Hz – 100 kHz |
| Signal System | 16, 20, and 24 bit |
| Sampling Frequency | 44.1 kHz to 192 kHz PCM |
| Dynamic Range | 130 dB |
| System Clock | Frequency 22.5792 MH |
| Signal-to-Noise Ratio | 115 dB |
| Audio Output Level | 2.0V RMS (220 Ω output impedance) for Volume at 0.0dB |
| 3.0V RMS (220 Ω output impedance) for Volume at +8.0dB | |
| Balanced XLR Output | +/- 2.0V RMS (440 Ω output impedance) for Volume at 0.0dB |
| +/- 3.0V RMS (440 Ω output impedance) for Volume at +8.0dB | |
