487_23559_2
Topthema: Totale Eleganz
Arendal 1528 Monitor 8
Form follows function ist ja ein geflügeltes Wort für Design um die technischen Notwendigkeiten herum. Dass man aber auch beide Aspekte gleichwertig behandeln und auf die Spitze treiben kann, zeigt uns die neue Serie 1528 von Arendal.
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390_22002_2
Topthema: Sound im Audi
Audio System RFIT Audi A6 C8 Evo2 – 20er System für Audi A6
Von Audio System gibt es eine Vielzahl an Nachrüstlautsprechern für Audi. Wir schaffen den Überblick und testen das RFIT Set für den A6 C8.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: Zoom LiveTrak L‑12
Ausstattung & technische Daten
| Specification | |
| Type | Digital Mixer + Recorder |
| NUMBER OF INPUT AND OUTPUT CHANNELS | |
| Inputs | Mono (MIC/LINE): 8 |
| Stereo (LINE): 2 | |
| Output | MASTER OUT: 1 |
| MONITOR OUT: 5 | |
| Inputs 1-8 | |
| Mono (MIC/LINE) | Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT) |
| Input gain | |
| PAD OFF: +16 – +60dB | |
| PAD ON: − 10 – +34 dB | |
| Hi-Z ON: +6 – +50 dB | |
| Input impedance | |
| XLR: 3 k Ω | |
| TRS: 10 k Ω /1 M Ω (when Hi-Z ON) | |
| Maximum input level | |
| PAD OFF: 0 dBu (at 0 dBFS) | |
| PAD ON: +26 dBu (at 0 dBFS) | |
| Phantom power +48 V | |
| Stereo (LINE): | Type: TS phone/RCA pin (unbalanced) jacks |
| Maximum input level : +10 dBu | |
| Outputs | |
| MASTER OUT | Type: XLR jacks (balanced) |
| Maximum output level :+14.5 dBu | |
| Output impedance: 100 Ω | |
| MONITOR OUT A–F (with balanced output) connected to monitor speakers | Type: TRS phone jacks (balanced) |
| Maximum output level: +14.5 dBu | |
| Output impedance: 100 Ω | |
| MONITOR OUT A– F (with unbalanced output) connected to headphones | Type: Standard stereo phone jacks |
| Maximum output level: 42 mW + 42 mW at 60 Ω | |
| Output impedance: 100 Ω | |
| PHONES | Type: Standard stereo phone jacks |
| Maximum output level: 42 mW + 42 mW at 60 Ω | |
| Output impedance: 100 Ω | |
| Buses | |
| MASTER | 1 |
| MONITOR | 5 |
| SEND EFX | 1 |
| CHANNEL STRIP | |
| LOW CUT | 75 Hz, 12 dB/OCT |
| EQ | HIGH: 10 kHz, ± 15 dB, shelving |
| MID: 100 Hz – 8 kHz, ± 15 dB, peaking | |
| LOW: 100 Hz, ± 15 dB, shelving | |
| Level meters | |
| Level segments | 12 |
| Send effects | |
| Effects | 16 types |
| RECORDER | |
| Maximum simultaneous recording tracks | 14 at 44.1/48 kHz (12 channel + stereo mix) |
| 12 at 96 kHz | |
| Maximum simultaneous playback tracks | 12 |
| Recording format | WAV 44.1/48/96 kHz, 16/24-bit, mono/stereo WAV format |
| Recording media | 16 MB-2 GB SD cards, 4 GB-32 GB SDHC cards, 64 GB-512 GB SDXC cards |
| AUDIO INTERFACE | |
| 44.1/48 kHz | Recording: 14 channels |
| Playback: 4 channels | |
| Bit depth | 24-bit |
| Interface | USB 2.0 |
| System Requirements for Audio Interface mode | |
| Windows | OS： Windows® 7 SP1 or later / 8.1 / 10 (32bit/64bit) |
| CPU: Intel® Core i3 or faster | |
| USB: USB 3.0/USB 2.0 | |
| Mac | OS： Mac® OS X 10.10 / 10.11 / 10.12 / 10.13 |
| CPU: Intel® Core i3 or faster | |
| USB: USB 3.0/USB 2.0 | |
| iPhone/iPad | OS： iOS 8 / 9 / 10 |
| Card reader | |
| Class | Mass storage |
| USB 2.0 High Speed | |
| USB HOST | |
| Class | USB 2.0 High Speed |
| Sampling rate | |
| Sampling rate | 44.1/48/96 kHz |
| Frequency characteristics | |
| 44.1 kHz | -1.0 dB: 20 Hz - 20 kHz |
| 96 kHz | -3.0 dB: 20 Hz - 40 kHz |
| Equivalent input noise | |
| Actual measurements | -128 dB EIN (IHF-A) with +60 dB/150 Ω input |
| General | |
| Display | LCD with backlight (128x64 resolution) |
| Power | ZOOM AD-19 AC adapter (DC12 V/2 A) |
| Power consumption | 17W maximum |
| External dimensions | 445 mm (W) x 282 mm (D) x 70.5 mm (H) |
| Weight (main unit only) | 2.53 kg |
