487_23559_2
Topthema: Totale Eleganz
Arendal 1528 Monitor 8
Form follows function ist ja ein geflügeltes Wort für Design um die technischen Notwendigkeiten herum. Dass man aber auch beide Aspekte gleichwertig behandeln und auf die Spitze treiben kann, zeigt uns die neue Serie 1528 von Arendal.
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502_23688_2
Topthema: Himmlisches Team
Dynaudio Contour 20i, MOON Audio 250i V2
Unser Hobby spiegelt die Welt da draußen wider: immer mehr, immer größer, immer teurer muss es sein. Zum Glück gibt es aber auch Gegenbeispiele. Mit dem dänischkanadischen Traumduo kann man seinen irdischen Musikfrieden finden.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: Zoom H2n
Ausstattung & technische Daten
| Specifications | |
| Type | Handy Recorder |
| General | |
| Recording media | 16MB–2GB SD cards, 4GB–32GB SDHC cards |
| Built-in memory | Up to 1 minute in 96kbps MP3 format (Recording overwrites any previous recording in memory) |
| Mic arrangements | 90˚ X/Y stereo, MS stereo with adjustable side mic level |
| Recording modes | MS, XY, MS+XY (2ch), MS+XY (4ch) |
| Microphone types | Directional (XY, MS mid mics) |
| Bidirectional (MS side mic) | |
| Maximum sound pressure input | 120 dB spl (directional) |
| 122 dB spl (bi-directional) | |
| File formats | |
| Stereo uncompressed PCM | 44.1 / 48 / 96kHz, 16 / 24bit WAV (BWF) |
| Compressed MP3 (recording) | 44.1kHz, 48kHz |
| 56 /64/80/96/112/128/160/192/ 224/256/320kbps | |
| (Not compatible with MS-RAW recording) | |
| Compressed MP3 (playback) | 44.1kHz, 48kHz |
| 32/40/48/56/64/80/96/112/128/160/192/224/256/320kbps | |
| 4ch uncompressed PCM | 44.1 / 48 / 96kHz, 16 / 24bit WAV (BWF) |
| (Two stereo files for each recording) | |
| Digital processing | |
| A/D conversion | 24-bit 128× oversampling |
| D/A conversion | 24-bit 128× oversampling |
| Signal processing | 32-bit |
| Recording time (2GB card) | 3:08:00 (44.1kHz/16bit WAV), 34:43:00 (128kbps MP3) |
| Additional features | |
| Lo cut | 80Hz high-pass filter |
| Comp/Limiter | 3 types of compressors and 3 types of limiters |
| Auto gain | Automatic input gain adjustment (3 levels) |
| Pre rec | 2 seconds of pre-recording |
| Auto rec | Automatic recording start/stop, continuous standby |
| Tuner | Chromatic, guitar, bass and alternate (A/E/G/D/DADGAD) tunings with automatic string detection |
| Metronome | 40–250 BPM range, five tones, pre-count |
| Speed ac | Playback speed adjustable between 50–150% |
| Key control | Playback pitch adjustable ±6 semitones (Cannot be used with 96kHz files) |
| AB repeat | Repeats playback between selected points in a file |
| File divide | Divides a file into two |
| File normalize | Maximizes file volume (Cannot be used with MP3s) |
| File MP3 encode | Converts WAV files to MP3 formats at fixed bit rates |
| Mark | Up to 99 marks (WAV files only) |
| Surround mixer | Adjusts mix balance when playing back 4ch surround recordings |
| Other | |
| Display graphic | 128×64 pixels backlit LCD |
| Input gain | 0 to +39 dB |
| Input jack | Line/mic stereo mini jack with plug-in power |
| 2 kΩ impedance at input levels of 0 to –39 dBm | |
| Output jack | Line/headphone stereo mini jack |
| Rated output level | −10 dBm (output impedance 10 kΩ or more) |
| Headphones | 20 mW + 20 mW (into 32 Ω load) |
| Built-in speaker | 400mW, 8Ω, mono |
| USB | Mini-B type |
| Card reader operation | |
| USB 2.0 high speed | Audio interface operation |
| USB 1.0 full speed | Supports 44.1 / 48kHz sampling rates and 16-bit rate |
| USB bus power operation supported | |
| Power | Two AA batteries, AD-17 USB to AC adapter (DC 5V 1A) |
| Continuous operation of 20 or more hours when recording 44.1kHz/16-bit | |
| WAV files using alkaline batteries | |
| Physical features | Tripod mounting socket, strap attachment |
| Dimensions | 67.6mm (W) × 113.85mm (H) × 42.7mm (D) |
| Weight | 130 g (without batteries) |
