489_23584_2
Topthema: Träume werden wahr
Standlautsprecher · ESS AMT-1 D Revival
Für die Älteren unter uns gehören diese Lautsprecher zu den ersten jugendlichen Audiowunschträumen, wie zum Beispiel das Klipschorn oder die Electro Voice Sentry III. Für alle anderen könnte dieser besondere Lautsprecher eine echte Überraschung werden.
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390_22002_2
Topthema: Sound im Audi
Audio System RFIT Audi A6 C8 Evo2 – 20er System für Audi A6
Von Audio System gibt es eine Vielzahl an Nachrüstlautsprechern für Audi. Wir schaffen den Überblick und testen das RFIT Set für den A6 C8.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: Zoom H2n
Ausstattung & technische Daten
| Specifications | |
| Type | Handy Recorder |
| General | |
| Recording media | 16MB–2GB SD cards, 4GB–32GB SDHC cards |
| Built-in memory | Up to 1 minute in 96kbps MP3 format (Recording overwrites any previous recording in memory) |
| Mic arrangements | 90˚ X/Y stereo, MS stereo with adjustable side mic level |
| Recording modes | MS, XY, MS+XY (2ch), MS+XY (4ch) |
| Microphone types | Directional (XY, MS mid mics) |
| Bidirectional (MS side mic) | |
| Maximum sound pressure input | 120 dB spl (directional) |
| 122 dB spl (bi-directional) | |
| File formats | |
| Stereo uncompressed PCM | 44.1 / 48 / 96kHz, 16 / 24bit WAV (BWF) |
| Compressed MP3 (recording) | 44.1kHz, 48kHz |
| 56 /64/80/96/112/128/160/192/ 224/256/320kbps | |
| (Not compatible with MS-RAW recording) | |
| Compressed MP3 (playback) | 44.1kHz, 48kHz |
| 32/40/48/56/64/80/96/112/128/160/192/224/256/320kbps | |
| 4ch uncompressed PCM | 44.1 / 48 / 96kHz, 16 / 24bit WAV (BWF) |
| (Two stereo files for each recording) | |
| Digital processing | |
| A/D conversion | 24-bit 128× oversampling |
| D/A conversion | 24-bit 128× oversampling |
| Signal processing | 32-bit |
| Recording time (2GB card) | 3:08:00 (44.1kHz/16bit WAV), 34:43:00 (128kbps MP3) |
| Additional features | |
| Lo cut | 80Hz high-pass filter |
| Comp/Limiter | 3 types of compressors and 3 types of limiters |
| Auto gain | Automatic input gain adjustment (3 levels) |
| Pre rec | 2 seconds of pre-recording |
| Auto rec | Automatic recording start/stop, continuous standby |
| Tuner | Chromatic, guitar, bass and alternate (A/E/G/D/DADGAD) tunings with automatic string detection |
| Metronome | 40–250 BPM range, five tones, pre-count |
| Speed ac | Playback speed adjustable between 50–150% |
| Key control | Playback pitch adjustable ±6 semitones (Cannot be used with 96kHz files) |
| AB repeat | Repeats playback between selected points in a file |
| File divide | Divides a file into two |
| File normalize | Maximizes file volume (Cannot be used with MP3s) |
| File MP3 encode | Converts WAV files to MP3 formats at fixed bit rates |
| Mark | Up to 99 marks (WAV files only) |
| Surround mixer | Adjusts mix balance when playing back 4ch surround recordings |
| Other | |
| Display graphic | 128×64 pixels backlit LCD |
| Input gain | 0 to +39 dB |
| Input jack | Line/mic stereo mini jack with plug-in power |
| 2 kΩ impedance at input levels of 0 to –39 dBm | |
| Output jack | Line/headphone stereo mini jack |
| Rated output level | −10 dBm (output impedance 10 kΩ or more) |
| Headphones | 20 mW + 20 mW (into 32 Ω load) |
| Built-in speaker | 400mW, 8Ω, mono |
| USB | Mini-B type |
| Card reader operation | |
| USB 2.0 high speed | Audio interface operation |
| USB 1.0 full speed | Supports 44.1 / 48kHz sampling rates and 16-bit rate |
| USB bus power operation supported | |
| Power | Two AA batteries, AD-17 USB to AC adapter (DC 5V 1A) |
| Continuous operation of 20 or more hours when recording 44.1kHz/16-bit | |
| WAV files using alkaline batteries | |
| Physical features | Tripod mounting socket, strap attachment |
| Dimensions | 67.6mm (W) × 113.85mm (H) × 42.7mm (D) |
| Weight | 130 g (without batteries) |
