Form follows function ist ja ein geflügeltes Wort für Design um die technischen Notwendigkeiten herum. Dass man aber auch beide Aspekte gleichwertig behandeln und auf die Spitze treiben kann, zeigt uns die neue Serie 1528 von Arendal.
>> Mehr erfahren>> Alle anzeigenMit der RX2 PRO kündigt Brax nicht weniger als die Endstufe der Superlative an, vollgepackt mit Innovation und das erste Class-D Design der Marke.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: ANT ANTMIX 12FX
Specification | |
Type | 12-Channel Mixing Console |
MONO mic/line inputs | 4 with compressor |
Mic mono/stereo line inputs | 2 |
Stereo line input | 2 |
Dimensions (W x H x D) | 340 x 100 x 416 mm |
Weight | 3,53 Kg |
MICROPHONE INPUT | |
Connector | Balanced XLR |
Impedance | 1.8 kΩ |
Frequency response | 20~20kHz +/-1dB |
Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
Gain | 0~55dB |
Max input | +15dB (balanced) |
Low-cut | 75Hz 12dB/oct. |
Signal-to-noise ratio | <-100 dBr A weighted |
Phantom powering | +48V |
LINE INPUT | |
Connector Balanced | 6,35mm (1/4”) - unbalanced RCA |
Impedance | 10 kΩ |
Frequency response | 20~20kHz +/-1dB |
Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
Gain | +15dB~-35dB |
Signal-to-noise ratio | <-100 dBr weighted A |
COMMON SPECIFICATION | |
Compressor (only for channels featuring this control) | Gain: 0 ---> 9 dB | Soglia: 20 dB ---> 5 dB |
Hum & noise | < -80dB (A weighted, full bandwidth, 1 channel and MAIN @ 0dB, other chan- nels @ minimum) |
Crosstalk | < -80dB (A weighted, full bandwidth, 1 channel and MAIN @ 0dB, other chan- nels @ minimum) |
EQUALIZATION AND 2-TRACK IN | |
Mono & mono/stereo channels | +/-15 dB @12 kHz / +/-15 dB @2.5 kHz /+/-15 dB @80 Hz+/-15 dB @12 kHz +/-15 dB @2.5 kHz / +/-15 dB @80 Hz +/-15 dB @12 kHz / +/-15 dB @2.5 kHz+/- 15 dB @80 Hz |
Stereo channels | +/-15 dB @12 kHz / +/-15 dB @80 Hz+/-15 dB @12 kHz +/-15 dB @80 Hz+/-15 dB @12 kHz / +/-15 dB @80 Hz |
MICROPHONE INPUT | |
Connector | 2 x unbalanced RCA |
Impedance | 10 kΩ |
Frequency response | 20~20kHz +/-1dB |
Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
Gain | OFF~+15dB |
STEREO RETURNS | |
Connector | 2 x balanced 6,35mm (1/4”) |
Impedance | 10 kΩ |
Frequency response | 20~20kHz +/-1dB |
Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
Gain | OFF~+15dB |
DSP | |
A/D - D/A converters | 24 bit |
Number of effects | 16 for 6FX – 100 for 8Fx and 12FX |
Controls | Presets rotary selector - 16 position (6FX) or 100 position (8FX & 12FX) DFX MUTE footswitch / DFX MUTE switch / DFX button (only 8FX & 12FX) |
Presets rotary selector - 16 position (6FX) or 100 position (8FX & 12FX) DFX MUTE footswitch / DFX MUTE switch / DFX button (only 8FX & 12FX) | |
OUTPUTS | |
MAIN MIX connectors | 2 x TRS 6,35mm (1/4”) connector (XLR in 12FX) |
MAIN MIX max output level | +22 dBu XLR balanced (+16 dBu unbalanced) |
MAIN MIX output impedance | 120 Ω |
GR1-2 in connectors (12FX only) | 2 x TRS balanced 6,35mm (1/4”) |
GR1-2 max output level (12FX only) | +22 dBu XLR balanced (+16 dBu unbalanced) |
GR1-2 output impedance (12FX only) | 120 Ω |
Headphones connector | Unbalanced TRS 6,35mm (1/4”) |
Headphones impedance | 30 Ω |
Control room connectors | 2 x balanced TRS 6,35mm (1/4”) |
Control room impedance | 120 Ω |
2-TK connectors | 2 x unbalanced RCA |
2-TK impedance | 1 kΩ |