487_23559_2
Topthema: Totale Eleganz
Arendal 1528 Monitor 8
Form follows function ist ja ein geflügeltes Wort für Design um die technischen Notwendigkeiten herum. Dass man aber auch beide Aspekte gleichwertig behandeln und auf die Spitze treiben kann, zeigt uns die neue Serie 1528 von Arendal.
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502_23688_2
Topthema: Himmlisches Team
Dynaudio Contour 20i, MOON Audio 250i V2
Unser Hobby spiegelt die Welt da draußen wider: immer mehr, immer größer, immer teurer muss es sein. Zum Glück gibt es aber auch Gegenbeispiele. Mit dem dänischkanadischen Traumduo kann man seinen irdischen Musikfrieden finden.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: Zoom LiveTrak L‑20
Ausstattung & technische Daten
| Specification | |
| Type | Digital Mixer + Recorder |
| NUMBER OF INPUT AND OUTPUT CHANNELS | |
| Inputs | Mono (MIC/LINE): 16 |
| Stereo (LINE): 2 | |
| Output | MASTER OUT: 1 |
| MONITOR OUT: 6 | |
| PHONES : 1 | |
| Inputs 1-8 | |
| Mono (MIC/LINE) | Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT) |
| Input gain | |
| PAD OFF: +16 – +60dB | |
| PAD ON: − 10 – +34 dB | |
| Hi-Z ON: +6 – +50 dB | |
| Input impedance | |
| XLR: 3 k Ω | |
| TRS: 10 k Ω /1 M Ω (when Hi-Z ON) | |
| Maximum input level | |
| PAD OFF: 0 dBu (at 0 dBFS) | |
| PAD ON: +26 dBu (at 0 dBFS) | |
| Phantom power +48 V | |
| Stereo (LINE): | Type: TS phone/RCA pin (unbalanced) jacks |
| Maximum input level : +10 dBu | |
| Outputs | |
| MASTER OUT | Type: XLR jacks (balanced) |
| Maximum output level :+14.5 dBu | |
| Output impedance: 100 Ω | |
| MONITOR OUT A–F (with balanced output) connected to monitor speakers | Type: TRS phone jacks (balanced) |
| Maximum output level: +14.5 dBu | |
| Output impedance: 100 Ω | |
| MONITOR OUT A– F (with unbalanced output) connected to headphones | Type: Standard stereo phone jacks |
| Maximum output level: 42 mW + 42 mW at 60 Ω | |
| Output impedance: 100 Ω | |
| PHONES | Type: Standard stereo phone jacks |
| Maximum output level: 42 mW + 42 mW at 60 Ω | |
| Output impedance: 100 Ω | |
| Buses | |
| MASTER | 1 |
| MONITOR | 6 |
| SEND EFX | 2 |
| CHANNEL STRIP | |
| LOW CUT | 40–600 Hz, 12dB/OCT |
| EQ | HIGH: 10 kHz, ± 15 dB, shelving |
| MID: 100 Hz – 8 kHz, ± 15 dB, peaking | |
| LOW: 100 Hz, ± 15 dB, shelving | |
| Level meters | |
| Level segments | 12 |
| Send effects | |
| Effects | 20 types |
| RECORDER | |
| Maximum simultaneous recording tracks | 22 at 44.1/48/96 kHz |
| Recording format | WAV 44.1/48/96 kHz, 16/24-bit, mono/stereo |
| Recording media | 4 GB – 32 GB SDHC cards (Class 10 or higher) |
| 64 GB – 512 GB SDXC cards (Class 10 or higher) | |
| AUDIO INTERFACE | |
| 44.1/48 kHz | Recording: 22 channels |
| Playback: 4 channels | |
| Bit depth | 24-bit |
| Interface | USB 2.0 |
| System Requirements for Audio Interface mode | |
| Windows | OS： Windows® 7 SP1 or later / 8.1 / 10 (32bit/64bit) |
| CPU: Intel® Core i3 or faster | |
| USB: USB 3.0/USB 2.0 | |
| Mac | OS： Mac® OS X 10.11 / 10.12 / 10.13 |
| CPU: Intel® Core i3 or faster | |
| USB: USB 3.0/USB 2.0 | |
| iPhone/iPad | OS： iOS 9 / 10 / 11 |
| Card reader | |
| Class | Class |
| USB HOST | |
| Class | USB 2.0 High Speed |
| General | |
| Sampling frequency | 44.1/48/96 kHz |
| Frequency characteristics | 44.1 kHz: −1.0 dB, 20 Hz – 20 kHz |
| 96 kHz: −3.0 dB, 20 Hz – 40 kHz | |
| Equivalent input noise | Actual measurements: −128dB EIN (IHF-A) at +60dB/150Ω input |
| Display | LCD with backlight (128×64 resolution) |
| Power | AD-19 AC adapter (DC12V 2A) |
| Power consumption | 24 W maximum |
| External dimensions | 445 mm (W) × 388.4 mm (D) × 82.6 mm (H) |
| Weight (main unit only) | 3.71 kg |
